2018
16mm, color, sound, 16 minutes
A portrait of Marcel Breuer’s last building, the Atlanta Central Library..
2018
2019
16mm, black and white, sound, 3 minutes
A portrait of Marcel Breuer’s 1954 commission in Collegeville, MN.
2019
2014
16mm, color, sound, 21 minutes
preview
2014
16mm, color, sound, 21 minutes
This film prompted a larger project in which I’ve invited artists to make films about other US states using 16mm.
2014
2014
Super 8mm, sound, 3 minutes
Boards cut to the ratio of the film frame and painted, perforated, or left raw are held, propped, and wedged in the Los Angeles landscape. This scrappy film is inspired by Roy Lichtenstein’s triptych, “Three Landscapes” and by Djibril Diop Mambéty’s “Le Franc.” Lichtenstein’s triptych divides the landscape in two: the real Pacific Ocean sits beneath a ben day dot sky. In Mambéty’s film, a winning lotto ticket pasted to a wooden door makes its unlikely way through the landscape and the plot to a cashier.
2004 picture / 2018 sound
16mm, color, 8 minutes
2018
16mm, color, sound, 16 minutes
A portrait of Marcel Breuer’s last building, the Atlanta Central Library..
2018
2019
16mm, black and white, sound, 3 minutes
A portrait of Marcel Breuer’s 1954 commission in Collegeville, MN.
2019
2014
16mm, color, sound, 21 minutes
preview
2014
16mm, color, sound, 21 minutes
This film prompted a larger project in which I’ve invited artists to make films about other US states using 16mm.
2014
2014
Super 8mm, sound, 3 minutes
Boards cut to the ratio of the film frame and painted, perforated, or left raw are held, propped, and wedged in the Los Angeles landscape. This scrappy film is inspired by Roy Lichtenstein’s triptych, “Three Landscapes” and by Djibril Diop Mambéty’s “Le Franc.” Lichtenstein’s triptych divides the landscape in two: the real Pacific Ocean sits beneath a ben day dot sky. In Mambéty’s film, a winning lotto ticket pasted to a wooden door makes its unlikely way through the landscape and the plot to a cashier.
2004 picture / 2018 sound
16mm, color, 8 minutes